Even though I have no classical calligraphic training, the ornamental visualization of writing is an important part of my work. The calligraphy of the Slavic orthodox church has a strong influence, but also elements of medieval Western Europe and, more recently, the Arbasic/Persian script. Since November 2022 I am a student of Arabic Calligraphy in King Fahd Cultural Center in Sarajevo.
Even though I have no classical calligraphic training, the ornamental visualization of writing is an important part of my work. The calligraphy of the Slavic orthodox church has a strong influence, but also elements of medieval Western Europe and, more recently, the Arbasic/Persian script. Since November 2022 I am a student of Arabic Calligraphy in King Fahd Cultural Center in Sarajevo.
Project that questions Europe’s resurfacing fears of multiculturalism. Inspired by the 25th anniversary of the Olympic Games.
About an (un)published project.
A poster series.
I drove by car from Bosnia & Herzegovina to Kärsämäki, a sleepy little town in central Finland, to open my own fashion store and sell clothes to no one.
From 2014 to 2018 I was part of the Vienna-based artist collective Yhy Fhm.
From 2014 to 2018 I was part of the Vienna-based artist collective Yhy Fhm.